قد نتلقى عمولة على عمليات الشراء المصنوعة من الروابط. شخص ما ، قم بتحديث بطاقة الأداء.سجل ويل سميث في اختيار كلاسيكيات الخيال العلمي إلى النجوم الآن في 50/50. "المصفوفة."href = "https://www.instagram.com/p/dk2viohkazg/؟hl=en" Target = "_ Blank" في البداية ، تردد سميث ، قائلاً إنه "يؤلمني للغاية" للإجابة على السؤال.ولكن بعد أن وصل إلى مكان للقبول ، أسقط قنبلة: في عام 2010 ، بعد أشهر من إطلاق ذكرت Hollywood Reporter أن سميث كان Christopher Nolan الخيار الثاني للدور القيادي ، وبعد Prad Pitt و Preced Leon dicapr.ومع ذلك ، يدعي سميث أن هذه هي المرة الأولى التي يناقش فيها رفض "بداية".انها لسعات مثل انخفاض "المصفوفة".كان "Inception" نجاحًا هائلاً ، بشكل نقدي وتجاري.إلى جانب "The Dark Knight" ، عزز إرث نولان باعتباره أحد أنجح صانعي الأفلام في التاريخ.على الرغم من أنني لا أفكر في "Inception" أفضل فيلم Nola

Comedy, of course, is subjective. There's no one film that's going to be universally funny to every human being, as comedy is based on social mores, history, politics, and a slew of other cultural factors that mutate quickly and differ from neighborhood to neighborhood. Indeed, what one found funny in 2005 may not be as funny in 2025, so time also plays a factor. And while certain comedies have lasted for centuries — Shakespeare and Moliere are still being performed to this day — some comedies from just a few decades ago are already dated. Heck, sometimes the time of day can be a factor. A midnight movie may be funnier than a Sunday matinée of the same flick. But there is an objective, scientific way to gauge the effects comedy has on us: our laughter. If a film makes us laugh out loud repeatedly, then we can take measurements, right? And if one film makes us laugh 10 times, and another makes us laugh 30 times, then the latter film can be considered the funnier film. As such, to determine the funniest film of all time, one would merely need to gather a panel of test subjects, and then expose them to multiple comedy films, writing down how many times they laughed during a screening. One would then take that number and average out how many times they laughed, per minute of film. The film with the highest number of laughs-per-minute (lpm) would, scientifically, be the funniest ever. Back in 2012, Forbes magazine conducted such a study. The comedy films for the study were determined by a poll that had been conducted by the London-based Lovefilm, a now-defunct division of the Telegraph. This means all the films will be in the English language. The test subjects were a panel of Forbes employees open to giggling. After watching the top 10 films on the poll, Forbes was able to

يمكن القول إن فيلم " clue " لعام 1985 هو أعظم تكييف للعبة لنعمة الشاشة الفضية - سواء كانت ألعاب الفيديو أو اللوح أو الطاولة أو الأطفال.حتى بعد أربعة عقود ، لا يتحمل إرثه مجرد كوميديا ​​فرحان ولكن أيضًا كواحد من أفضل أفلام المباحث على الإطلاق.إنه مثال غير عادي على كيفية رفع مفهوم مألوف إلى تألق سينمائي دون التضحية بعمق السرد.علاوة على ذلك ، تظل تجربة رائعة في سرد ​​القصص. لم يكن هذا مشروع Indie الغامض - لقد كان إصدارًا متوقعًا للغاية مع كل سبب للتفاؤل منذ البداية.من إخراج جوناثان لين ، " clue " يفتخر بمجموعة كوميدية من النجوم يضم مايكل ماكين ، ليزلي آن وارن ، إيلين برينان ، مارتن مول ، كريستوفر لويد ، مادلين كان ، وتيم كوري.إن أدائهم يتنفسون الحياة إلى شخصيات كلاهما ملتوية بشكل سخيف وإنسان عميق. تلتزم هذه المؤامرة بشكل فضفاض بالفرضية العارية للعبة الكلاسيكية: يتجمع الغرباء في قصر غامض حيث تتكشف القتل.ومع ذلك ، يوسع الفيلم هذا الأساس إلى نسيج غني من المؤامرات ، وينسج العديد من جرائم القتل ، والأسرار المكشوفة ، وكشفت مخططات الابتزاز ، والفضائح ، والمؤامرات ، ولمسة من الرومانسية - وحتى إشارة مرحة إلى الشيوعية (على الرغم من أنها في نهاية المطاف مجرد رنجة حمراء).على الرغم من الإع

You don't need us to tell you that John Wayne was one of the best Western movie actors of all time, but what was his finest Western film? There are plenty of great picks in a career that spanned five decades, both with his regular and most famous collaborator John Ford and with other directors ("Rio Bravo," "True Grit," etc). Two landmark films with Ford often dominate the conversation: Wayne's star-making turn in "Stagecoach," and his unusually dark odyssey in "The Searchers." Both are brilliant shout-outs, but if you pay any attention to IMDb rankings, the director and star went one better with "The Man Who Shot Liberty Valance."Released in 1962, John Ford's absorbing drama explores the clash between the romanticized myth-making of the Old West and the American frontier's hard-won transition to democratic law and order. That might sound like a bit of a snooze if you're expecting classic matinee-style shootouts and horse action, but Ford and Wayne deliver on those counts, too. "Liberty Valance" is a grown-up Western that is also a cracking piece of entertainment, giving us the first onscreen meeting between Hollywood legends Wayne and James Stewart; an engaging love triangle; a cast of colorful supporting characters; and Lee Marvin as the title character, surely one of the meanest black hats to ever stalk through a saloon. "The Man Who Shot Liberty Valance" occupies an important place in Western movie history, serving as a curtain call and the passing of the torch. It was Ford's final film in the genre with the Duke, providing John Wayne one of his best roles, and Ford himself was approaching the end of his car

توم كروز وبراد بيت ، بلا شك ، هما من أكثر نجوم السينما شهرة في العالم.كانت أسمائهم مرادفة للعصر الذهبي في هوليوود منذ التسعينيات ، ويبقى جاذبيتهم الدائمة قوية اليوم كما كانت في ذلك الوقت.ومع ذلك ، على الرغم من شهرتهما المشتركة ، فإن هاتين جبابرة السينما لم يمتلكا الشاشة معًا لأكثر من ثلاثة عقود - ليس منذ أدوارهما التي لا تنسى في "مقابلة مع مصاص الدماء" عام 1994.ولكن الآن ، ظهر اتصال مثير للاهتمام قد يقربهم مرة أخرى. أدخل جوزيف كوسينسكي ، المخرج البصري وراء توم كروز الرائجة "النسيان" و "Top Gun: Maverick".Kosinski هو أيضا على رأس مشروع براد بيت الأخير ، دراما السباق المثيرة "F1".هل يمكن أن يثير هذا التعاون لم شمل بين كروز وبيت؟الاحتمالات محيرة. في "f1"دعم كروز الثابت لفيلمه الجديد.عندما سئل عن تأييد Cruise العام ( "لا يمكن أن تنتظر لرؤية ذلك ، مع براد" ) ، وصفها بيت بأنها "حلوة جدًا".ضغط أكثر حول ما إذا كان هو و كروز قد يجتمعان على الشاشة ، عرضت بيت رداً قائلاً: "لن أتعلق مؤخرتي خارج الطائرات و S *** من هذا القبيل ، لذلك عندما يفعل [Cruise] شيئًا مرة أخرى على الأرض

Like most recognizable movie stars, it took many years for Charlize Theron to become an overnight sensation. Her first film role was that of an unnamed, non-speaking extra in James D.R. Hickox's 1995 slasher sequel "Children of the Corn III: Urban Harvest," a film Theron remembers well. She chased that with the 1996 mid-budget neo-noir "2 Days in the Valley," in which she played the girlfriend of a gangster portrayed by James Spader. With her foot in the studio door, she began turning up in multiple high-profile nationwide releases like "Trial and Error," and "That Thing You Do!," but she really caught a lot of attention for her impassioned performance in Taylor Hackford's 1997 demonic thriller "The Devil's Advocate." After that, she was pretty much a celebrity. Indeed, she even played a celebrity in Woody Allen's 1998 film "Celebrity."The same year she was in "Urban Harvest," though, Theron had an opportunity that could have put her career on a very different path. She had gone in to audition for director Paul Verhoeven, who had just scored big hits with "Total Recall" and "Basic Instinct" and aimed to make a towering, big-budget musical/dance project that was intended to shake up the Hollywood zeitgeist. Verhoeven and his screenwriter, Joe Eszterhas, wanted to make a film that was loaded with sex and nudity, hoping to normalize adult stories in the American mainstream.Sadly, their film — "Showgirls" — was a notorious bomb that was panned by critics. It only made about $38 million at the box office against a $40 million budget and became a punchline for

2025 is an exciting summer for fans of the Marvel Cinematic Universe. Hot off the release of "Thunderbolts*," the franchise is set to expand even further into the multiverse with the highly-anticipated release of "The Fantastic Four: First Steps" in July, but some of the biggest news in the film series is happening off-screen. Currently, "Avengers: Doomsday" is in production, though the release of it and "Avengers: Secret Wars" has been pushed back, now set to release in December of 2026 and 2027, respectively. These new crossover films have already been confirmed to feature the introduction of many "X-Men" characters into the MCU, with the likes of Ian McKellan, James Marsden, Alan Cumming, and Rebecca Romijn officially reprising their roles as the mutants Magneto, Cyclops, Nightcrawler, and Mystique. They'll be joining other "X-Men" characters like Patrick Stewart's Charles Xavier or Hugh Jackman's Wolverine, previously brought into the MCU in parallel universes. However, fans are already eyeing the future of mutants in the MCU after "Secret Wars," with Marvel's "X-Men" reboot movie maybe finding a perfect director in "Thunderbolts*" head honcho Jake Schreier. Whether the inevitable re-introduction of mutants is in Marvel's near future or not, fans have been vocal for years about which actors they want to see play X-Men in the MCU. However, these 10 names have popped up recently in various rumors as the potential faces to Marvel's next phases. Assuming there's any credibility to these discussio

فيلم Buddy Cop 1989 "Tango