Nous pouvons recevoir une commission sur les achats effectués à partir de liens. quelqu'un, mettez à jour le tableau de bord.Les antécédents de Will Smith dans la sélection des classiques de la science-fiction pour jouer dans maintenant sont à 50/50.Le "Men in Black" et "Independence Day" étoiles a diminué le rôle de NEO dans "le matrix." Pendant La récente apparition de Smith sur la station de radio britannique Kiss Xtra , l'hôte Craig Mitch a interrogé Smith sur cette décision pivot et s'il y avait d'autres films qu'il avait baissés. Au début, Smith a hésité, disant que "fait trop mal" de répondre à la question.Mais ayant apparemment atteint un lieu d'acceptation, il a laissé tomber une bombe: En 2010, des mois après la sortie de "Inception" "href = "https://www.hollywoodreporter.com/movies/movie-news/list-directors-43873/" Target = "_ Blank"> Le Hollywood Reporter a rapporté que Smith était le deuxième choix de Christopher Nolan pour le rôle principal.Cependant, Smith affirme que c'est la première fois qu'il discute de refus "Inception".Il pique tout autant que la baisse de "la matrice" l'a fait."Inception" a été un succès monumental,

Comedy, of course, is subjective. There's no one film that's going to be universally funny to every human being, as comedy is based on social mores, history, politics, and a slew of other cultural factors that mutate quickly and differ from neighborhood to neighborhood. Indeed, what one found funny in 2005 may not be as funny in 2025, so time also plays a factor. And while certain comedies have lasted for centuries — Shakespeare and Moliere are still being performed to this day — some comedies from just a few decades ago are already dated. Heck, sometimes the time of day can be a factor. A midnight movie may be funnier than a Sunday matinée of the same flick. But there is an objective, scientific way to gauge the effects comedy has on us: our laughter. If a film makes us laugh out loud repeatedly, then we can take measurements, right? And if one film makes us laugh 10 times, and another makes us laugh 30 times, then the latter film can be considered the funnier film. As such, to determine the funniest film of all time, one would merely need to gather a panel of test subjects, and then expose them to multiple comedy films, writing down how many times they laughed during a screening. One would then take that number and average out how many times they laughed, per minute of film. The film with the highest number of laughs-per-minute (lpm) would, scientifically, be the funniest ever. Back in 2012, Forbes magazine conducted such a study. The comedy films for the study were determined by a poll that had been conducted by the London-based Lovefilm, a now-defunct division of the Telegraph. This means all the films will be in the English language. The test subjects were a panel of Forbes employees open to giggling. After watching the top 10 films on the poll, Forbes was able to

Le film de 1985 " Clue " est sans doute la plus grande adaptation d'un jeu pour honorer l'écran d'argent - qu'il s'agisse de jeux vidéo, de planche, de table ou d'enfants.Même quatre décennies plus tard, son héritage perdure non seulement comme une comédie hilarante mais aussi comme l'un des meilleurs films détective jamais réalisés.C'est un exemple extraordinaire de la façon dont un concept familier peut être élevé à l'éclat cinématographique sans sacrifier la profondeur narrative.Au-delà de cela, cela reste une expérience fascinante de la narration. Ce n'était pas un projet indépendant obscur - c'était une version très attendue avec toutes les raisons de l'optimisme dès le début.Réalisé par Jonathan Lynn, " Clue " possède une distribution d'ensemble comique All-Star mettant en vedette Michael McKean, Leslie Ann Warren, Eileen Brennan, Martin Mull, Christopher Lloyd, Madeline Kahn et Tim Curry.Leurs performances respirent la vie à des personnages qui sont à la fois absurdement excentriques et profondément humains. L'intrigue adhère vaguement à la prémisse à nu du jeu de société classique: les étrangers se réunissent dans un mystérieux manoir où le meurtre se déroule.Cependant, le film étend cette fondation en une riche tapisserie d'intrigue, tissant plusieurs meurtres, des secrets exposés, des schémas de chantage dévoilés, des scandales, des complots, une touche de romance - et même un clin d'œil ludique au communisme (bien qu'en fin de compte, juste un hareng rouge).Malgré sa configuration apparemment non conventionnelle, " Clue " a captivé le public au fil du temps, se transformant d'une déception initiale au box-office en un classique culte bien-aimé. Peut-être que l'aspect le plus ingénieux de " Clue " réside dans son approche expérimentale des terminaisons - pas une, pas deux, mais trois conclusions distinctes fabriquées p

You don't need us to tell you that John Wayne was one of the best Western movie actors of all time, but what was his finest Western film? There are plenty of great picks in a career that spanned five decades, both with his regular and most famous collaborator John Ford and with other directors ("Rio Bravo," "True Grit," etc). Two landmark films with Ford often dominate the conversation: Wayne's star-making turn in "Stagecoach," and his unusually dark odyssey in "The Searchers." Both are brilliant shout-outs, but if you pay any attention to IMDb rankings, the director and star went one better with "The Man Who Shot Liberty Valance."Released in 1962, John Ford's absorbing drama explores the clash between the romanticized myth-making of the Old West and the American frontier's hard-won transition to democratic law and order. That might sound like a bit of a snooze if you're expecting classic matinee-style shootouts and horse action, but Ford and Wayne deliver on those counts, too. "Liberty Valance" is a grown-up Western that is also a cracking piece of entertainment, giving us the first onscreen meeting between Hollywood legends Wayne and James Stewart; an engaging love triangle; a cast of colorful supporting characters; and Lee Marvin as the title character, surely one of the meanest black hats to ever stalk through a saloon. "The Man Who Shot Liberty Valance" occupies an important place in Western movie history, serving as a curtain call and the passing of the torch. It was Ford's final film in the genre with the Duke, providing John Wayne one of his best roles, and Ford himself was approaching the end of his car

Tom Cruise et Brad Pitt sont, sans aucun doute, deux des stars de cinéma les plus emblématiques du monde.Leurs noms sont synonymes de l'ère d'or d'Hollywood depuis les années 1990, et leur attrait durable reste aussi fort aujourd'hui qu'à l'époque.Pourtant, malgré leur renommée partagée, ces deux titans du cinéma n'ont pas honoré l'écran depuis plus de trois décennies - pas depuis leurs rôles mémorables dans "Interview with the Vampire" de 1994.Mais maintenant, une connexion intrigante a émergé qui pourrait les rapprocher une fois de plus. Entrez Joseph Kosinski, le directeur visionnaire derrière Tom Cruise, le blockbuster frappe "Oblivion" et "Top Gun: Maverick".Kosinski est également à la tête du dernier projet de Brad Pitt, le drame de course passionnant "F1".Cette collaboration pourrait-elle déclencher une réunion entre Cruise et Pitt?Les possibilités sont allétiques. à la première de "F1" dans le Mexice City sur le 9 juin 9 Soutien inébranlable pour son nouveau film.Lorsqu'on lui a posé des questions sur l'approbation publique de Cruise ( "J'ai hâte de voir cela, avec Brad" ), Pitt l'a décrit comme "si doux".Pressé plus loin pour savoir si lui et Cruise pourraient se réunir à l'écran, Pitt a offert une réponse révélatrice: "Je ne vais pas accrocher le cul des avions et S *** comme ça, alors quand [Cruise] refait quelque chose qui est au sol." Le commentaire de Pitt fait allusion à l'engagement légendaire de Cruise à effectuer ses propres cascades - une caractéristique de sa carrière, en particulier dans la franchise "Mission: Impossible".En fait, la "Mission: Impossible - Impossible - The Final Reckoning

Like most recognizable movie stars, it took many years for Charlize Theron to become an overnight sensation. Her first film role was that of an unnamed, non-speaking extra in James D.R. Hickox's 1995 slasher sequel "Children of the Corn III: Urban Harvest," a film Theron remembers well. She chased that with the 1996 mid-budget neo-noir "2 Days in the Valley," in which she played the girlfriend of a gangster portrayed by James Spader. With her foot in the studio door, she began turning up in multiple high-profile nationwide releases like "Trial and Error," and "That Thing You Do!," but she really caught a lot of attention for her impassioned performance in Taylor Hackford's 1997 demonic thriller "The Devil's Advocate." After that, she was pretty much a celebrity. Indeed, she even played a celebrity in Woody Allen's 1998 film "Celebrity."The same year she was in "Urban Harvest," though, Theron had an opportunity that could have put her career on a very different path. She had gone in to audition for director Paul Verhoeven, who had just scored big hits with "Total Recall" and "Basic Instinct" and aimed to make a towering, big-budget musical/dance project that was intended to shake up the Hollywood zeitgeist. Verhoeven and his screenwriter, Joe Eszterhas, wanted to make a film that was loaded with sex and nudity, hoping to normalize adult stories in the American mainstream.Sadly, their film — "Showgirls" — was a notorious bomb that was panned by critics. It only made about $38 million at the box office against a $40 million budget and became a punchline for

2025 is an exciting summer for fans of the Marvel Cinematic Universe. Hot off the release of "Thunderbolts*," the franchise is set to expand even further into the multiverse with the highly-anticipated release of "The Fantastic Four: First Steps" in July, but some of the biggest news in the film series is happening off-screen. Currently, "Avengers: Doomsday" is in production, though the release of it and "Avengers: Secret Wars" has been pushed back, now set to release in December of 2026 and 2027, respectively. These new crossover films have already been confirmed to feature the introduction of many "X-Men" characters into the MCU, with the likes of Ian McKellan, James Marsden, Alan Cumming, and Rebecca Romijn officially reprising their roles as the mutants Magneto, Cyclops, Nightcrawler, and Mystique. They'll be joining other "X-Men" characters like Patrick Stewart's Charles Xavier or Hugh Jackman's Wolverine, previously brought into the MCU in parallel universes. However, fans are already eyeing the future of mutants in the MCU after "Secret Wars," with Marvel's "X-Men" reboot movie maybe finding a perfect director in "Thunderbolts*" head honcho Jake Schreier. Whether the inevitable re-introduction of mutants is in Marvel's near future or not, fans have been vocal for years about which actors they want to see play X-Men in the MCU. However, these 10 names have popped up recently in various rumors as the potential faces to Marvel's next phases. Assuming there's any credibility to these discussio

Le film Buddy Cop de 1989 "Tango