リンクからの購入に関する手数料を受け取ることがあります。 誰か、スコアカードを更新します。サイエンスフィクションのクラシックを選択する際のウィルスミスの実績は、現在50/50に立っています。" Men "" indepdence day "href = "https://www.amazon.com/matrix-blu-ray-keanu-reeves/dp/b00319ecgk?tag = staticmedia-slashfilm-20"ターゲット= "_ blank" rel = "スポンサーNofollow"> "Matrixhref = "https://www.instagram.com/p/dk2viohkazg/?hl=en"ターゲット= "_ blank">スミスの最近のイギリスのラジオ局Kiss xtra 、ホストのクレイグ・ミッチは、この重要な決定についてスミスに尋ねました。 最初は、スミスはheし、質問に答えるには「あまりにもひどい」と言った。しかし、一見受け入れの場所に達したように見えた彼は爆弾を落としました： 2010年、ハリウッドレポーターは報告したしかし、スミスは、これが「インセプション」を断ることについて議論したのはこれが初めてだと主張しています。「マトリックス」が衰退したのと同じくらい刺します。「インセプション」は、批判的にも商業的にも記念碑的な成功でした。「The Dark Knight」と並んで、Nola

Comedy, of course, is subjective. There's no one film that's going to be universally funny to every human being, as comedy is based on social mores, history, politics, and a slew of other cultural factors that mutate quickly and differ from neighborhood to neighborhood. Indeed, what one found funny in 2005 may not be as funny in 2025, so time also plays a factor. And while certain comedies have lasted for centuries — Shakespeare and Moliere are still being performed to this day — some comedies from just a few decades ago are already dated. Heck, sometimes the time of day can be a factor. A midnight movie may be funnier than a Sunday matinée of the same flick. But there is an objective, scientific way to gauge the effects comedy has on us: our laughter. If a film makes us laugh out loud repeatedly, then we can take measurements, right? And if one film makes us laugh 10 times, and another makes us laugh 30 times, then the latter film can be considered the funnier film. As such, to determine the funniest film of all time, one would merely need to gather a panel of test subjects, and then expose them to multiple comedy films, writing down how many times they laughed during a screening. One would then take that number and average out how many times they laughed, per minute of film. The film with the highest number of laughs-per-minute (lpm) would, scientifically, be the funniest ever. Back in 2012, Forbes magazine conducted such a study. The comedy films for the study were determined by a poll that had been conducted by the London-based Lovefilm, a now-defunct division of the Telegraph. This means all the films will be in the English language. The test subjects were a panel of Forbes employees open to giggling. After watching the top 10 films on the poll, Forbes was able to

1985年の映画「 Clue 」は、ビデオ、ボード、卓上、または子供のゲームであろうと、銀画面を飾るためのゲームの最大の適応であると思われます。40年後でも、そのレガシーは、陽気なコメディとしてだけでなく、これまでに作られた最高の探偵映画の1つとしても耐えます。これは、物語の深さを犠牲にすることなく、馴染みのある概念を映画の輝きに昇格させる方法の並外れた例です。それを超えて、それはストーリーテリングの魅力的な実験のままです。 これは不明瞭なインディープロジェクトではありませんでした。最初から楽観的な理由であらゆる理由で、非常に期待されているリリースでした。ジョナサン・リン監督の「 clue 」は、マイケル・マッキーン、レスリー・アン・ウォーレン、アイリーン・ブレナン、マーティン・マル、クリストファー・ロイド、マデリン・カーン、ティム・カリーをフィーチャーしたオールスター・コメディ・アンサンブル・キャストを誇っています。彼らのパフォーマンスは、どちらも不条理に風変わりで深い人間のキャラクターに命を吹き込みます。 このプロットは、古典的なボードゲームの裸の骨の前提にゆるく遵守します。しかし、この映画は、この基盤を陰謀の豊かなタペストリーに拡大し、複数の殺人、暴露された秘密の秘密、スキャンダル、陰謀、ロマンスのタッチ、さらには共産主義への遊び心のあるうなずき（最終的にはちょうど赤いニシン）にさえ拡大します。一見型破りなセットアップにもかかわらず、「 Clue 」は、聴衆を長期にわたって魅了し、最初の興行失望から最��

You don't need us to tell you that John Wayne was one of the best Western movie actors of all time, but what was his finest Western film? There are plenty of great picks in a career that spanned five decades, both with his regular and most famous collaborator John Ford and with other directors ("Rio Bravo," "True Grit," etc). Two landmark films with Ford often dominate the conversation: Wayne's star-making turn in "Stagecoach," and his unusually dark odyssey in "The Searchers." Both are brilliant shout-outs, but if you pay any attention to IMDb rankings, the director and star went one better with "The Man Who Shot Liberty Valance."Released in 1962, John Ford's absorbing drama explores the clash between the romanticized myth-making of the Old West and the American frontier's hard-won transition to democratic law and order. That might sound like a bit of a snooze if you're expecting classic matinee-style shootouts and horse action, but Ford and Wayne deliver on those counts, too. "Liberty Valance" is a grown-up Western that is also a cracking piece of entertainment, giving us the first onscreen meeting between Hollywood legends Wayne and James Stewart; an engaging love triangle; a cast of colorful supporting characters; and Lee Marvin as the title character, surely one of the meanest black hats to ever stalk through a saloon. "The Man Who Shot Liberty Valance" occupies an important place in Western movie history, serving as a curtain call and the passing of the torch. It was Ford's final film in the genre with the Duke, providing John Wayne one of his best roles, and Ford himself was approaching the end of his car

トムクルーズとブラッドピットは、間違いなく世界で最も象徴的な映画スターの2人です。彼らの名前は、1990年代以来ハリウッドの黄金時代と同義であり、彼らの永続的な魅力は当時と同じように強いままです。しかし、彼らの名声を共有しているにもかかわらず、これら2人の映画のタイタンは、1994年の「吸血鬼とのインタビュー」で記憶に残る役割以来、30年以上にわたってスクリーンを飾っていません。しかし今、興味深いつながりが現れ、再びそれらを近づける可能性があります。 トム・クルーズの大ヒット作の背後にある先見の明のある監督であるジョセフ・コシンスキーに入ります。コシンスキーはまた、ブラッド・ピットの最新プロジェクトであるスリリングなレースドラマ「F1」の舵取りにも参加しています。このコラボレーションは、クルーズとピットの再会を引き起こす可能性がありますか？可能性は食欲をそそります。 クルーズの新しい映画に対する揺るぎないサポート。クルーズの公的な承認について尋ねられたとき（ "それを見るのが待ちきれません" ）、ピットはそれを「とても甘い」と説明しました。彼とクルーズが画面上で再会するかどうかをさらに押し上げたピットは、語る応答を提供しました： 「私はそのように飛行機やs ***からお尻を吊るすつもりはないので、[クルーズ]が再び何かをするとき、それは地面にあります。」

Like most recognizable movie stars, it took many years for Charlize Theron to become an overnight sensation. Her first film role was that of an unnamed, non-speaking extra in James D.R. Hickox's 1995 slasher sequel "Children of the Corn III: Urban Harvest," a film Theron remembers well. She chased that with the 1996 mid-budget neo-noir "2 Days in the Valley," in which she played the girlfriend of a gangster portrayed by James Spader. With her foot in the studio door, she began turning up in multiple high-profile nationwide releases like "Trial and Error," and "That Thing You Do!," but she really caught a lot of attention for her impassioned performance in Taylor Hackford's 1997 demonic thriller "The Devil's Advocate." After that, she was pretty much a celebrity. Indeed, she even played a celebrity in Woody Allen's 1998 film "Celebrity."The same year she was in "Urban Harvest," though, Theron had an opportunity that could have put her career on a very different path. She had gone in to audition for director Paul Verhoeven, who had just scored big hits with "Total Recall" and "Basic Instinct" and aimed to make a towering, big-budget musical/dance project that was intended to shake up the Hollywood zeitgeist. Verhoeven and his screenwriter, Joe Eszterhas, wanted to make a film that was loaded with sex and nudity, hoping to normalize adult stories in the American mainstream.Sadly, their film — "Showgirls" — was a notorious bomb that was panned by critics. It only made about $38 million at the box office against a $40 million budget and became a punchline for

2025 is an exciting summer for fans of the Marvel Cinematic Universe. Hot off the release of "Thunderbolts*," the franchise is set to expand even further into the multiverse with the highly-anticipated release of "The Fantastic Four: First Steps" in July, but some of the biggest news in the film series is happening off-screen. Currently, "Avengers: Doomsday" is in production, though the release of it and "Avengers: Secret Wars" has been pushed back, now set to release in December of 2026 and 2027, respectively. These new crossover films have already been confirmed to feature the introduction of many "X-Men" characters into the MCU, with the likes of Ian McKellan, James Marsden, Alan Cumming, and Rebecca Romijn officially reprising their roles as the mutants Magneto, Cyclops, Nightcrawler, and Mystique. They'll be joining other "X-Men" characters like Patrick Stewart's Charles Xavier or Hugh Jackman's Wolverine, previously brought into the MCU in parallel universes. However, fans are already eyeing the future of mutants in the MCU after "Secret Wars," with Marvel's "X-Men" reboot movie maybe finding a perfect director in "Thunderbolts*" head honcho Jake Schreier. Whether the inevitable re-introduction of mutants is in Marvel's near future or not, fans have been vocal for years about which actors they want to see play X-Men in the MCU. However, these 10 names have popped up recently in various rumors as the potential faces to Marvel's next phases. Assuming there's any credibility to these discussio

1989バディ警官映画「タンゴ」