Podemos receber uma comissão de compras feitas de links. Alguém, atualize o scorecard.O histórico de Will Smith na seleção de clássicos de ficção científica para estrelar agora está em 50/50. "Men in Black" " " no dia da independência "href = "https://www.amazon.com/matrix-bru-ray-keanu-reeves/dp/b00319ecgk?tag=staticmedia-slashfilm-20" Target = "_ Blank" rel = "Nofollow"> "o matrix."href = "https://www.instagram.com/p/dk2viiohkazg/?hl=en" Target = "_ Blank"> A aparição recente de Smith na estação de rádio britânica Kiss Xtra , Craig Mitch perguntou a Smith sobre essa decisão pivotal e, se havia outros filmes. Inicialmente, Smith hesitou, dizendo que "dói muito" para responder à pergunta.Mas, aparentemente alcançou um local de aceitação, ele deixou cair uma bomba: Em 2010, meses após o lançamento de O repórter de Hollywood relatou No entanto, Smith afirma que esta é a primeira vez que ele discutirá recusar "o início".Ele piora tanto quanto o declínio "The Matrix" fez."Início" foi um sucesso monumental, tanto crítico quanto comercialmente.Ao lado de "The Dark Knight", cimentou o legado de Nolan como um dos cineastas de maior sucesso da história.Embora eu não considere o melhor filme absoluto de "Inception" Nolan (embora esteja próximo), definitivam

Comedy, of course, is subjective. There's no one film that's going to be universally funny to every human being, as comedy is based on social mores, history, politics, and a slew of other cultural factors that mutate quickly and differ from neighborhood to neighborhood. Indeed, what one found funny in 2005 may not be as funny in 2025, so time also plays a factor. And while certain comedies have lasted for centuries — Shakespeare and Moliere are still being performed to this day — some comedies from just a few decades ago are already dated. Heck, sometimes the time of day can be a factor. A midnight movie may be funnier than a Sunday matinée of the same flick. But there is an objective, scientific way to gauge the effects comedy has on us: our laughter. If a film makes us laugh out loud repeatedly, then we can take measurements, right? And if one film makes us laugh 10 times, and another makes us laugh 30 times, then the latter film can be considered the funnier film. As such, to determine the funniest film of all time, one would merely need to gather a panel of test subjects, and then expose them to multiple comedy films, writing down how many times they laughed during a screening. One would then take that number and average out how many times they laughed, per minute of film. The film with the highest number of laughs-per-minute (lpm) would, scientifically, be the funniest ever. Back in 2012, Forbes magazine conducted such a study. The comedy films for the study were determined by a poll that had been conducted by the London-based Lovefilm, a now-defunct division of the Telegraph. This means all the films will be in the English language. The test subjects were a panel of Forbes employees open to giggling. After watching the top 10 films on the poll, Forbes was able to

O filme de 1985 " Clue " permanece sem dúvida a maior adaptação de um jogo para enfeitar a tela prateada - seja vídeo, tabuleiro, mesa ou jogos infantis.Mesmo quatro décadas depois, seu legado suporta não apenas como uma comédia hilária, mas também como um dos melhores filmes de detetive já feitos.É um exemplo extraordinário de como um conceito familiar pode ser elevado ao brilho cinematográfico sem sacrificar a profundidade narrativa.Além disso, continua sendo um experimento fascinante na narrativa. Este não foi um projeto indie obscuro - foi um lançamento altamente antecipado, com todos os motivos do otimismo desde o início.Dirigido por Jonathan Lynn, " Clue " possui um elenco de All-Star Comedic com Michael McKean, Leslie Ann Warren, Eileen Brennan, Martin Mull, Christopher Lloyd, Madeline Kahn e Tim Curry.Suas performances dão vida a personagens que são absurdamente peculiares e profundamente humanos. A trama adere vagamente à premissa dos ossos do jogo de tabuleiro clássico: estranhos se reúnem em uma mansão misteriosa onde o assassinato se desenrola.No entanto, o filme expande esse fundamento para uma rica tapeçaria de intriga, tecendo vários assassinatos, segredos expostos, esquemas de chantagem revelados, escândalos, conspirações, um toque de romance - e até um aceno divertido ao comunismo (embora, finalmente, apenas um arenque vermelho).Apesar de sua configuração aparentemente não convencional, " Clue " cativou o público ao longo do tempo, transformando -se de uma decepção inicial de bilheteria em um clássico cult amado. Talvez o aspecto mais engenhoso de " plue " esteja em sua abordagem experimental dos finais - não um, não dois, mas três conclusões distintas criadas para manter os espectadores adivinhar até os momentos finais.Cada versão revela um assassino diferente, oferecendo reviravoltas novas e linhas de risadas nos últimos cinco

You don't need us to tell you that John Wayne was one of the best Western movie actors of all time, but what was his finest Western film? There are plenty of great picks in a career that spanned five decades, both with his regular and most famous collaborator John Ford and with other directors ("Rio Bravo," "True Grit," etc). Two landmark films with Ford often dominate the conversation: Wayne's star-making turn in "Stagecoach," and his unusually dark odyssey in "The Searchers." Both are brilliant shout-outs, but if you pay any attention to IMDb rankings, the director and star went one better with "The Man Who Shot Liberty Valance."Released in 1962, John Ford's absorbing drama explores the clash between the romanticized myth-making of the Old West and the American frontier's hard-won transition to democratic law and order. That might sound like a bit of a snooze if you're expecting classic matinee-style shootouts and horse action, but Ford and Wayne deliver on those counts, too. "Liberty Valance" is a grown-up Western that is also a cracking piece of entertainment, giving us the first onscreen meeting between Hollywood legends Wayne and James Stewart; an engaging love triangle; a cast of colorful supporting characters; and Lee Marvin as the title character, surely one of the meanest black hats to ever stalk through a saloon. "The Man Who Shot Liberty Valance" occupies an important place in Western movie history, serving as a curtain call and the passing of the torch. It was Ford's final film in the genre with the Duke, providing John Wayne one of his best roles, and Ford himself was approaching the end of his car

Tom Cruise e Brad Pitt são, sem dúvida, duas das estrelas de cinema mais icônicas do mundo.Seus nomes são sinônimos da era dourada de Hollywood desde os anos 90, e seu apelo duradouro permanece tão forte hoje quanto naquela época.No entanto, apesar da fama compartilhada, esses dois titãs do cinema não agraciaram a tela há mais de três décadas - não desde seus papéis memoráveis ​​na entrevista de 1994, "Mas agora, surgiu uma conexão intrigante que pode aproximá -los mais uma vez. Entre em Joseph Kosinski, o diretor visionário por trás do sucesso de bilheteria de Tom Cruise, "Oblivion" e "Top Gun: Maverick".Kosinski também está no comando do mais recente projeto de Brad Pitt, o emocionante drama de corrida "F1".Essa colaboração poderia despertar uma reunião entre Cruise e Pitt?As possibilidades são tentadoras. Anothe "F1" Prmiere em ME-MELUSTURO "Target =".Apoio inabalável para seu novo filme.Quando perguntado sobre o endosso público de Cruise ( "Mal posso esperar para ver isso, com Brad" ), Pitt descreveu como "tão doce".Pressionado mais sobre se ele e o cruzeiro podem se reunir na tela, Pitt ofereceu uma resposta reveladora: "Eu não vou pendurar minha bunda fora dos aviões e mergulhar assim, então quando [Cruise] faz algo de novo que está no chão." O comentário de Pitt faz alusão ao lendário compromisso de Cruise em realizar suas próprias acrobacias - uma marca registrada de sua carreira, especialmente na franquia "Missão: Impossível".De fato, a "Missão: Impossível-The Final Reckoning" deste ano apresenta Ethan Hunt de Cruise, agarrado perigosamente a um biplano no meio do vôo.Enquanto o "Reckoning final" deixa espaç

Like most recognizable movie stars, it took many years for Charlize Theron to become an overnight sensation. Her first film role was that of an unnamed, non-speaking extra in James D.R. Hickox's 1995 slasher sequel "Children of the Corn III: Urban Harvest," a film Theron remembers well. She chased that with the 1996 mid-budget neo-noir "2 Days in the Valley," in which she played the girlfriend of a gangster portrayed by James Spader. With her foot in the studio door, she began turning up in multiple high-profile nationwide releases like "Trial and Error," and "That Thing You Do!," but she really caught a lot of attention for her impassioned performance in Taylor Hackford's 1997 demonic thriller "The Devil's Advocate." After that, she was pretty much a celebrity. Indeed, she even played a celebrity in Woody Allen's 1998 film "Celebrity."The same year she was in "Urban Harvest," though, Theron had an opportunity that could have put her career on a very different path. She had gone in to audition for director Paul Verhoeven, who had just scored big hits with "Total Recall" and "Basic Instinct" and aimed to make a towering, big-budget musical/dance project that was intended to shake up the Hollywood zeitgeist. Verhoeven and his screenwriter, Joe Eszterhas, wanted to make a film that was loaded with sex and nudity, hoping to normalize adult stories in the American mainstream.Sadly, their film — "Showgirls" — was a notorious bomb that was panned by critics. It only made about $38 million at the box office against a $40 million budget and became a punchline for

2025 is an exciting summer for fans of the Marvel Cinematic Universe. Hot off the release of "Thunderbolts*," the franchise is set to expand even further into the multiverse with the highly-anticipated release of "The Fantastic Four: First Steps" in July, but some of the biggest news in the film series is happening off-screen. Currently, "Avengers: Doomsday" is in production, though the release of it and "Avengers: Secret Wars" has been pushed back, now set to release in December of 2026 and 2027, respectively. These new crossover films have already been confirmed to feature the introduction of many "X-Men" characters into the MCU, with the likes of Ian McKellan, James Marsden, Alan Cumming, and Rebecca Romijn officially reprising their roles as the mutants Magneto, Cyclops, Nightcrawler, and Mystique. They'll be joining other "X-Men" characters like Patrick Stewart's Charles Xavier or Hugh Jackman's Wolverine, previously brought into the MCU in parallel universes. However, fans are already eyeing the future of mutants in the MCU after "Secret Wars," with Marvel's "X-Men" reboot movie maybe finding a perfect director in "Thunderbolts*" head honcho Jake Schreier. Whether the inevitable re-introduction of mutants is in Marvel's near future or not, fans have been vocal for years about which actors they want to see play X-Men in the MCU. However, these 10 names have popped up recently in various rumors as the potential faces to Marvel's next phases. Assuming there's any credibility to these discussio

O filme policial de 1989 "Tango