Kami dapat menerima komisi pembelian yang dilakukan dari tautan. Seseorang, perbarui kartu skor.Rekam jejak Will Smith dalam memilih klasik fiksi ilmiah untuk dibintangi sekarang berdiri di 50/50.The "pria di Black" _href = "https://www.amazon.com/independence-day-will-smith/dp/b01czk37c0?tag=staticmedia-slashfilm-20" target = "_ blank" rel = "neo ollows yang disponsori"> "Hari Kemerdekhref = "https://www.amazon.com/matrix-blu-ray-eanu-reeves/dp/b00319ecgk?tag=staticmedia-slashfilm-20" target = "_ blank" rel = "sponsor nofollow"> "The Matrix."href = "https://www.instagram.com/p/dk2viohkazg/?hl=en" target = "_ blank"> Penampilan Smith baru -baru ini di stasiun radio Inggris KISS XTRA , tuan rumah Craig Mitch bertanya kepada Smith tentang keputusan penting ini dan apakah ada film lain yang telah ditolak oleh Craig Mitch. Awalnya, Smith ragu -ragu, mengatakan itu "sakit terlalu buruk" untuk menjawab pertanyaan.Tetapi tampaknya mencapai tempat penerimaan, ia menjatuhkan bom: Pada tahun 2010, beberapa bulan setelah rilis Reporter Hollywood yang dilaporkan bahwa Smith adalah pilihan kedua Christopher Nolan untuk peran utama, mengikuti Pitt dan mendahului Leo.Namun, Smith mengklaim ini adalah pertama kalinya dia membahas "Inception."Ini menyengat sama seperti menurunnya "matriks" melakukannya."Inception" adalah keberhasilan yang monumental, baik secara kritis maupu

Comedy, of course, is subjective. There's no one film that's going to be universally funny to every human being, as comedy is based on social mores, history, politics, and a slew of other cultural factors that mutate quickly and differ from neighborhood to neighborhood. Indeed, what one found funny in 2005 may not be as funny in 2025, so time also plays a factor. And while certain comedies have lasted for centuries — Shakespeare and Moliere are still being performed to this day — some comedies from just a few decades ago are already dated. Heck, sometimes the time of day can be a factor. A midnight movie may be funnier than a Sunday matinée of the same flick. But there is an objective, scientific way to gauge the effects comedy has on us: our laughter. If a film makes us laugh out loud repeatedly, then we can take measurements, right? And if one film makes us laugh 10 times, and another makes us laugh 30 times, then the latter film can be considered the funnier film. As such, to determine the funniest film of all time, one would merely need to gather a panel of test subjects, and then expose them to multiple comedy films, writing down how many times they laughed during a screening. One would then take that number and average out how many times they laughed, per minute of film. The film with the highest number of laughs-per-minute (lpm) would, scientifically, be the funniest ever. Back in 2012, Forbes magazine conducted such a study. The comedy films for the study were determined by a poll that had been conducted by the London-based Lovefilm, a now-defunct division of the Telegraph. This means all the films will be in the English language. The test subjects were a panel of Forbes employees open to giggling. After watching the top 10 films on the poll, Forbes was able to

Film tahun 1985 " Clue " berdiri sebagai adaptasi terbesar dari permainan untuk menghiasi layar perak - apakah itu video, papan, meja, atau permainan anak -anak.Bahkan empat dekade kemudian, warisannya tidak hanya sebagai komedi lucu tetapi juga sebagai salah satu film detektif terbaik yang pernah dibuat.Ini adalah contoh luar biasa tentang bagaimana konsep yang akrab dapat diangkat ke kecemerlangan sinematik tanpa mengorbankan kedalaman naratif.Di luar itu, itu tetap merupakan eksperimen yang menarik dalam bercerita. Ini bukan proyek indie yang tidak jelas - ini adalah rilis yang sangat dinanti dengan setiap alasan untuk optimisme sejak awal.Disutradarai oleh Jonathan Lynn, " petunjuk " menawarkan pemeran ansambel komedi All-Star yang menampilkan Michael McKean, Leslie Ann Warren, Eileen Brennan, Martin Mull, Christopher Lloyd, Madeline Kahn, dan Tim Curry.Penampilan mereka menghembuskan kehidupan menjadi karakter yang keduanya unik dan sangat manusiawi. Plot itu melekat secara longgar ke premis Bare-Bones dari permainan papan klasik: Orang asing berkumpul di sebuah rumah misterius di mana pembunuhan terungkap.Namun, film ini memperluas fondasi ini menjadi permadani intrik yang kaya, menenun beberapa pembunuhan, rahasia yang terpapar, skema pemerasan diluncurkan, skandal, konspirasi, sentuhan romansa - dan bahkan anggukan lucu untuk komunisme (meskipun pada akhirnya hanya herring merah).Terlepas dari pengaturannya yang tampaknya tidak konvensional, " petunjuk " memikat penonton dari waktu ke waktu, berubah dari kekecewaan box office awal menjadi klasik kultus yang dicintai. Mungkin aspek yang paling cerdik dari " petunjuk " terletak pada pendekatan eksperimental untuk akhir - bukan satu, bukan dua, tetapi tiga kesimpulan berbeda yang dibuat untuk membuat pemirsa menebak sampai saat terakhir.Setiap versi mengungkapkan pembunuh yang berbeda, memberikan tikungan segar dan garis-garis tert

You don't need us to tell you that John Wayne was one of the best Western movie actors of all time, but what was his finest Western film? There are plenty of great picks in a career that spanned five decades, both with his regular and most famous collaborator John Ford and with other directors ("Rio Bravo," "True Grit," etc). Two landmark films with Ford often dominate the conversation: Wayne's star-making turn in "Stagecoach," and his unusually dark odyssey in "The Searchers." Both are brilliant shout-outs, but if you pay any attention to IMDb rankings, the director and star went one better with "The Man Who Shot Liberty Valance."Released in 1962, John Ford's absorbing drama explores the clash between the romanticized myth-making of the Old West and the American frontier's hard-won transition to democratic law and order. That might sound like a bit of a snooze if you're expecting classic matinee-style shootouts and horse action, but Ford and Wayne deliver on those counts, too. "Liberty Valance" is a grown-up Western that is also a cracking piece of entertainment, giving us the first onscreen meeting between Hollywood legends Wayne and James Stewart; an engaging love triangle; a cast of colorful supporting characters; and Lee Marvin as the title character, surely one of the meanest black hats to ever stalk through a saloon. "The Man Who Shot Liberty Valance" occupies an important place in Western movie history, serving as a curtain call and the passing of the torch. It was Ford's final film in the genre with the Duke, providing John Wayne one of his best roles, and Ford himself was approaching the end of his car

Tom Cruise dan Brad Pitt, tanpa diragukan lagi, dua bintang film paling ikonik di dunia.Nama mereka telah identik dengan era keemasan Hollywood sejak 1990 -an, dan daya tarik abadi mereka tetap sekuat hari ini seperti saat itu.Namun, terlepas dari ketenaran mereka bersama, dua raksasa bioskop ini belum menghiasi layar bersama selama lebih dari tiga dekade - bukan sejak peran mereka yang mengesankan dalam "Wawancara dengan The Vampire" tahun 1994.Tapi sekarang, koneksi yang menarik telah muncul yang mungkin membawa mereka lebih dekat sekali lagi. Masukkan Joseph Kosinski, direktur visioner di belakang blockbuster Tom Cruise Hits "Oblivion" dan "Top Gun: Maverick."Kosinski juga memimpin proyek terbaru Brad Pitt, drama balap yang mendebarkan "F1."Bisakah kolaborasi ini memicu reuni antara Cruise dan Pitt?Kemungkinannya menggiurkan. "Tidak sabar untuk melihat itu, dengan Brad" ), Pitt menggambarkannya sebagai "sangat manis."Ditekan lebih lanjut tentang apakah dia dan Cruise mungkin bersatu kembali di layar, Pitt menawarkan tanggapan yang jitu: "Aku tidak akan menggantung pantatku dari pesawat terbang dan seperti itu, jadi ketika [Cruise] melakukan sesuatu lagi yang ada di tanah." Komentar Pitt menyinggung komitmen legendaris Cruise untuk melakukan aksi sendiri - ciri khas kariernya, terutama dalam waralaba "Mission: Impossible".Faktanya, "Mission: Impossible-the Final Reckoning" tahun ini menampilkan perburuan Ethan Cruise yang ber

Like most recognizable movie stars, it took many years for Charlize Theron to become an overnight sensation. Her first film role was that of an unnamed, non-speaking extra in James D.R. Hickox's 1995 slasher sequel "Children of the Corn III: Urban Harvest," a film Theron remembers well. She chased that with the 1996 mid-budget neo-noir "2 Days in the Valley," in which she played the girlfriend of a gangster portrayed by James Spader. With her foot in the studio door, she began turning up in multiple high-profile nationwide releases like "Trial and Error," and "That Thing You Do!," but she really caught a lot of attention for her impassioned performance in Taylor Hackford's 1997 demonic thriller "The Devil's Advocate." After that, she was pretty much a celebrity. Indeed, she even played a celebrity in Woody Allen's 1998 film "Celebrity."The same year she was in "Urban Harvest," though, Theron had an opportunity that could have put her career on a very different path. She had gone in to audition for director Paul Verhoeven, who had just scored big hits with "Total Recall" and "Basic Instinct" and aimed to make a towering, big-budget musical/dance project that was intended to shake up the Hollywood zeitgeist. Verhoeven and his screenwriter, Joe Eszterhas, wanted to make a film that was loaded with sex and nudity, hoping to normalize adult stories in the American mainstream.Sadly, their film — "Showgirls" — was a notorious bomb that was panned by critics. It only made about $38 million at the box office against a $40 million budget and became a punchline for

2025 is an exciting summer for fans of the Marvel Cinematic Universe. Hot off the release of "Thunderbolts*," the franchise is set to expand even further into the multiverse with the highly-anticipated release of "The Fantastic Four: First Steps" in July, but some of the biggest news in the film series is happening off-screen. Currently, "Avengers: Doomsday" is in production, though the release of it and "Avengers: Secret Wars" has been pushed back, now set to release in December of 2026 and 2027, respectively. These new crossover films have already been confirmed to feature the introduction of many "X-Men" characters into the MCU, with the likes of Ian McKellan, James Marsden, Alan Cumming, and Rebecca Romijn officially reprising their roles as the mutants Magneto, Cyclops, Nightcrawler, and Mystique. They'll be joining other "X-Men" characters like Patrick Stewart's Charles Xavier or Hugh Jackman's Wolverine, previously brought into the MCU in parallel universes. However, fans are already eyeing the future of mutants in the MCU after "Secret Wars," with Marvel's "X-Men" reboot movie maybe finding a perfect director in "Thunderbolts*" head honcho Jake Schreier. Whether the inevitable re-introduction of mutants is in Marvel's near future or not, fans have been vocal for years about which actors they want to see play X-Men in the MCU. However, these 10 names have popped up recently in various rumors as the potential faces to Marvel's next phases. Assuming there's any credibility to these discussio

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