Podemos recibir una comisión de compras hechas de enlaces. Alguien, actualice el cuadro de puntuación.El historial de Will Smith en la selección de clásicos de ciencia ficción para protagonizar ahora se encuentra en 50/50. "hombres en negros" y "Día de la independencia" Star disminuyó el papel de NEO en "The Matric." durante La reciente aparición de Smith en la estación de radio británica Kiss Xtra , el anfitrión Craig Mitch le preguntó a Smith sobre esta decisión fundamental y si había otras películas que había rechazado. Inicialmente, Smith dudó, diciendo que "duele demasiado" responder a la pregunta.Pero después de haber llegado a un lugar de aceptación, dejó caer una bomba: En 2010, meses después del lanzamiento de El reportero de Hollywood informó que Smith fue la segunda opción de Christopher Nolan para el rol principal, después de Brad Pitt y precedió a Leonardo Dicaprio (que aceptó el papel de Christopher Nolan.Sin embargo, Smith afirma que esta es la primera vez que ha discutido rechazar "Inception".Se pica tanto como lo hizo la disminución de "la matriz"."Inception" fue un éxito monumental, tanto

Comedy, of course, is subjective. There's no one film that's going to be universally funny to every human being, as comedy is based on social mores, history, politics, and a slew of other cultural factors that mutate quickly and differ from neighborhood to neighborhood. Indeed, what one found funny in 2005 may not be as funny in 2025, so time also plays a factor. And while certain comedies have lasted for centuries — Shakespeare and Moliere are still being performed to this day — some comedies from just a few decades ago are already dated. Heck, sometimes the time of day can be a factor. A midnight movie may be funnier than a Sunday matinée of the same flick. But there is an objective, scientific way to gauge the effects comedy has on us: our laughter. If a film makes us laugh out loud repeatedly, then we can take measurements, right? And if one film makes us laugh 10 times, and another makes us laugh 30 times, then the latter film can be considered the funnier film. As such, to determine the funniest film of all time, one would merely need to gather a panel of test subjects, and then expose them to multiple comedy films, writing down how many times they laughed during a screening. One would then take that number and average out how many times they laughed, per minute of film. The film with the highest number of laughs-per-minute (lpm) would, scientifically, be the funniest ever. Back in 2012, Forbes magazine conducted such a study. The comedy films for the study were determined by a poll that had been conducted by the London-based Lovefilm, a now-defunct division of the Telegraph. This means all the films will be in the English language. The test subjects were a panel of Forbes employees open to giggling. After watching the top 10 films on the poll, Forbes was able to

La película de 1985 " Clue " es posiblemente la mayor adaptación de un juego para adornar la pantalla plateada, ya sea video, tablero, mesa o juegos infantiles.Incluso cuatro décadas después, su legado perdura no solo como una comedia hilarante sino también como una de las mejores películas de detectives jamás realizadas.Es un ejemplo extraordinario de cómo un concepto familiar puede elevarse a la brillantez cinematográfica sin sacrificar la profundidad narrativa.Más allá de eso, sigue siendo un experimento fascinante en la narración de historias. Este no fue un proyecto independiente oscuro: fue un lanzamiento muy esperado con todas las razones de optimismo desde el principio.Dirigido por Jonathan Lynn, " Clue " cuenta con un elenco de conjunto de comedia de estrellas con Michael McKean, Leslie Ann Warren, Eileen Brennan, Martin Mull, Christopher Lloyd, Madeline Kahn y Tim Curry.Sus actuaciones dan vida a personajes que son absurdamente extravagantes y profundamente humanos. La trama se adhiere libremente a la premisa básica del clásico juego de mesa: los extraños se reúnen en una misteriosa mansión donde se desarrolla el asesinato.Sin embargo, la película expande esta base en un rico tapiz de intriga, tejiendo múltiples asesinatos, secretos expuestos, esquemas de chantaje presentados, escándalos, conspiraciones, un toque de romance, e incluso un guiño juguetón al comunismo (aunque finalmente solo un arenque rojo).A pesar de su configuración aparentemente poco convencional, " Clue " cautivó al público con el tiempo, transformándose de una decepción inicial de taquilla en un clásico de culto querido. Quizás el aspecto más ingenioso de " Clue " radica en su enfoque experimental para las terminaciones, ni una, no dos, sino tres conclusiones distintas elaboradas para mantener a los espectadores adivinando hasta los momentos finales.Cada versión revela un ase

You don't need us to tell you that John Wayne was one of the best Western movie actors of all time, but what was his finest Western film? There are plenty of great picks in a career that spanned five decades, both with his regular and most famous collaborator John Ford and with other directors ("Rio Bravo," "True Grit," etc). Two landmark films with Ford often dominate the conversation: Wayne's star-making turn in "Stagecoach," and his unusually dark odyssey in "The Searchers." Both are brilliant shout-outs, but if you pay any attention to IMDb rankings, the director and star went one better with "The Man Who Shot Liberty Valance."Released in 1962, John Ford's absorbing drama explores the clash between the romanticized myth-making of the Old West and the American frontier's hard-won transition to democratic law and order. That might sound like a bit of a snooze if you're expecting classic matinee-style shootouts and horse action, but Ford and Wayne deliver on those counts, too. "Liberty Valance" is a grown-up Western that is also a cracking piece of entertainment, giving us the first onscreen meeting between Hollywood legends Wayne and James Stewart; an engaging love triangle; a cast of colorful supporting characters; and Lee Marvin as the title character, surely one of the meanest black hats to ever stalk through a saloon. "The Man Who Shot Liberty Valance" occupies an important place in Western movie history, serving as a curtain call and the passing of the torch. It was Ford's final film in the genre with the Duke, providing John Wayne one of his best roles, and Ford himself was approaching the end of his car

Tom Cruise y Brad Pitt son, sin duda, dos de las estrellas de cine más icónicas del mundo.Sus nombres han sido sinónimo de la era dorada de Hollywood desde la década de 1990, y su atractivo perdurable sigue siendo tan fuerte hoy como lo era en aquel entonces.Sin embargo, a pesar de su fama compartida, estos dos titanes del cine no han adornado la pantalla durante más de tres décadas, no desde sus papeles memorables en "Entrevista con el vampiro" de 1994.Pero ahora, ha surgido una conexión intrigante que podría acercarlos una vez más. Entra Joseph Kosinski, el director visionario detrás del éxito de taquilla de Tom Cruise "Oblivion" y "Top Gun: Maverick".Kosinski también está al frente del último proyecto de Brad Pitt, el emocionante drama de carreras "F1".¿Podría esta colaboración provocar una reunión entre Cruise y Pitt?Las posibilidades son tentadoras. en el "f1" premienere en mexico en la ciudad de junio en junio 9 , Pittyly, fondy fondy en el punto de vista de la "F1" en el mexico en la ciudad de junio.Apoyo inquebrantable para su nueva película.Cuando se le preguntó sobre el respaldo público de Cruise ( "No puedo esperar para ver eso, con Brad" ), Pitt lo describió como "tan dulce".Presionó aún más sobre si él y Cruise podrían reunirse en la pantalla, Pitt ofreció una respuesta reveladora: "No voy a colgarme el trasero de los aviones y así, cuando [Cruise] hace algo nuevamente en el suelo". . El comentario de Pitt alude al legendario compromiso de Cruise de realizar sus propias acrobacias, un sello distintivo de su carrera, especialmente en la franquicia "Mission: Impossible".De hecho, la "Mission: Impossible-T

Like most recognizable movie stars, it took many years for Charlize Theron to become an overnight sensation. Her first film role was that of an unnamed, non-speaking extra in James D.R. Hickox's 1995 slasher sequel "Children of the Corn III: Urban Harvest," a film Theron remembers well. She chased that with the 1996 mid-budget neo-noir "2 Days in the Valley," in which she played the girlfriend of a gangster portrayed by James Spader. With her foot in the studio door, she began turning up in multiple high-profile nationwide releases like "Trial and Error," and "That Thing You Do!," but she really caught a lot of attention for her impassioned performance in Taylor Hackford's 1997 demonic thriller "The Devil's Advocate." After that, she was pretty much a celebrity. Indeed, she even played a celebrity in Woody Allen's 1998 film "Celebrity."The same year she was in "Urban Harvest," though, Theron had an opportunity that could have put her career on a very different path. She had gone in to audition for director Paul Verhoeven, who had just scored big hits with "Total Recall" and "Basic Instinct" and aimed to make a towering, big-budget musical/dance project that was intended to shake up the Hollywood zeitgeist. Verhoeven and his screenwriter, Joe Eszterhas, wanted to make a film that was loaded with sex and nudity, hoping to normalize adult stories in the American mainstream.Sadly, their film — "Showgirls" — was a notorious bomb that was panned by critics. It only made about $38 million at the box office against a $40 million budget and became a punchline for

2025 is an exciting summer for fans of the Marvel Cinematic Universe. Hot off the release of "Thunderbolts*," the franchise is set to expand even further into the multiverse with the highly-anticipated release of "The Fantastic Four: First Steps" in July, but some of the biggest news in the film series is happening off-screen. Currently, "Avengers: Doomsday" is in production, though the release of it and "Avengers: Secret Wars" has been pushed back, now set to release in December of 2026 and 2027, respectively. These new crossover films have already been confirmed to feature the introduction of many "X-Men" characters into the MCU, with the likes of Ian McKellan, James Marsden, Alan Cumming, and Rebecca Romijn officially reprising their roles as the mutants Magneto, Cyclops, Nightcrawler, and Mystique. They'll be joining other "X-Men" characters like Patrick Stewart's Charles Xavier or Hugh Jackman's Wolverine, previously brought into the MCU in parallel universes. However, fans are already eyeing the future of mutants in the MCU after "Secret Wars," with Marvel's "X-Men" reboot movie maybe finding a perfect director in "Thunderbolts*" head honcho Jake Schreier. Whether the inevitable re-introduction of mutants is in Marvel's near future or not, fans have been vocal for years about which actors they want to see play X-Men in the MCU. However, these 10 names have popped up recently in various rumors as the potential faces to Marvel's next phases. Assuming there's any credibility to these discussio

La película de la policía de amigos de 1989 "Tango